Kurš datēja Žans Gabēns?

Žans Gabēns (franču: Jean Gabin, dzimis 1904. gada 17. maijā, miris 1976. gada 15. novembrī) bija franču teātra un kino aktieris.

Dzimis kabarē mākslinieku ģimenē kā Žans Aleksiss Monkoržē (franču: Jean-Alexis Moncorgé). Teātrī Žans Gabēns debitēja 1923. gadā, kino — 1930. gadā. Popularitāti ieguva atveidodams stiprus, vīrišķīgus, uzticamus varoņus. Filmējies klasiskajās franču filmās "Pepe le Moko" (1937), "Lielā ilūzija" (1937), "Miglu krastmala" (1938), "Diena sākas" (1939), "Cilvēks zvērs" (1939), "Bauda" (1952), Touchez pas au grisbi (1954) un "Melodija no pagraba" (1963).

Pa divām reizēm ieguva Venēcijas un Berlīnes kinofestivālu galvenās balvas kā labākais vīriešu lomas atveidotājs. 1960. gadā Gabēnu apbalvoja ar Francijas Goda leģiona ordeni.

Miris 1976. gadā no infarkta.

Marie Magdalene "Marlene" Dietrich (, German: [maʁˈleːnə ˈdiːtʁɪç] ; 27 December 1901 – 6 May 1992) was a German and American actress and singer whose career spanned nearly seven decades.

In 1920s Berlin, Dietrich performed on the stage and in silent films. Her performance as Lola Lola in Josef von Sternberg's The Blue Angel (1930) brought her international acclaim and a contract with Paramount Pictures. She starred in many Hollywood films, including six iconic roles directed by Sternberg: Morocco (1930) (her only Academy Award nomination), Dishonored (1931), Shanghai Express and Blonde Venus (both 1932), The Scarlet Empress (1934), The Devil Is a Woman (1935). Throughout World War II, she was a high-profile entertainer in the United States. Although she delivered notable performances in several post-war films, including Billy Wilder's A Foreign Affair (1948), Alfred Hitchcock's Stage Fright (1950), Billy Wilder's Witness for the Prosecution (1957), Orson Welles's Touch of Evil (1958), and Stanley Kramer's Judgment at Nuremberg (1961), she spent most of the 1950s to the 1970s touring the world as a marquee live-show performer.

Dietrich was known for her humanitarian efforts during World War II, housing German and French exiles, providing financial support and advocating their American citizenship. For her work on improving morale on the front lines during the war, she received several honors from the United States, France, Belgium, and Israel. In 1999, the American Film Institute named Dietrich the ninth greatest female screen legend of classic Hollywood cinema.