Kurš datēja Ogists Rodēns?

Fransuā Ogists Renē Rodēns (franču: François-Auguste-René Rodin, izrunā: [ogyst ʁɔdɛ̃], dzimis 1840. gada 12. novembrī, miris 1917. gada 17. novembrī) bija franču tēlnieks, viens no impresionisma pamatlicējiem tēlniecībā. Viņš skulptūras galvenokārt veidoja no bronzas un marmora. Pēc dažu kritiķu domām, Ogists Rodēns ir dižākais skulptūru portretists vēsturē.

Starp slavenākajām Rodēna skulptūrām ir "Bronzas laikmets" (L'Âge d'airain, 1877), "Domātājs" (Le Penseur, 1880), "Skūpsts" (Le Baiser, 1889), "Kalē pilsoņi" (Les Bourgeois de Calais, 1889).

No 1880. gada līdz pat savai nāvei 1917. gadā Rodēns strādāja pie sava monumentālā darba "Elles vārti" (La Porte de l'Enfer), kas attēloja Dantes Aligjēri poēmas "Dievišķā komēdija" pirmajā daļā Inferno aprakstīto elli. Rodēna darbs tā arī palika līdz galam nepabeigts. Vairākus tēlus no "Elles vārtiem" Rodēns izstrādāja arī kā atsevišķas skulptūras, kā piemēram "Domātājs".

Camille Rosalie Claudel (French pronunciation: [kamij klodɛl] ; 8 December 1864 – 19 October 1943) was a French sculptor known for her figurative works in bronze and marble. She died in relative obscurity, but later gained recognition for the originality and quality of her work. The subject of several biographies and films, Claudel is well known for her sculptures including The Waltz and The Mature Age.

The national Camille Claudel Museum in Nogent-sur-Seine opened in 2017. Claudel was a longtime associate of sculptor Auguste Rodin, and the Musée Rodin in Paris has a room dedicated to her works.

Sculptures created by Claudel are also held in the collections of several major museums including the Musée d'Orsay in Paris, the Courtauld Institute of Art in London, the National Museum of Women in the Arts in Washington, D.C., the Philadelphia Museum of Art, and the J. Paul Getty Museum in Los Angeles.

Gwendolen "Gwen" Mary John (22 June 1876 – 18 September 1939) was a Welsh artist who worked in France for most of her career. Her paintings, mainly portraits of anonymous female sitters, are rendered in a range of closely related tones. Although in her lifetime, John's work was overshadowed by that of her brother Augustus and her mentor and lover Auguste Rodin, awareness and esteem for John's artistic contributions has grown considerably since her death.